![]() ![]() ![]() Like A Seat at the Table, When I Get Home also continues Solange’s explorative collaborations with some of the most exciting artists in contemporary music, synthesizing contributions from indie darlings and celebrated rappers alike. Its nineteen songs clock in at 39 minutes - many tracks and interludes are well under a minute in length, and they create disparate, immersive worlds instantaneously. Released Mavia Columbia Records, When I Get Home still explores similarly intricate themes revolving around identity and oppression through abstract sociopolitical commentary, but it plays more like a freewheeling mixtape than a full-length release by one of the most mysterious pop artists of the decade. Solange Knowles has followed up her 2016 masterwork A Seat at the Table with a groovy, purposefully disjointed, and leaner offering. It exists because of, and finds meaning in, these contradictions, eschewing any notions of a narrowed focus in favor of palpable experimentation. Solange Knowles’ latest release When I Get Home is shapeless yet meticulously arranged, hushed yet explosive, synergistic yet radically individualistic. ![]()
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